Surveillance
'Surveillance' comes out of INVIGILATOR : DIGBETH the 5th in the INVIGILATOR series conceived by artists Paul Conneally, Nikki Pugh and Kev Ryan.The poem is a direct transcript taken by Paul Conneally...
View ArticleBeeston Via The Moon
Bus Stop - Paul Conneally 2008 While watching 'Late of The Pier' at FOPP, Nottingham, Paul Conneally turns his attention away from the band, which he can hear but not see too well, to the people he...
View ArticleFajitas In A Teepee
Fajitas In A Teepee - Watermead Estate Intervention Renga.wmv Watch on Posterous Fajitas In A TeepeePaul Conneally September 11 2010Intervention renga with Watermead Estate community Thurmaston,...
View ArticleMacrame For Beginners - Paul Conneally 2009
Macrame For Beginners Paul Conneally 2009 Macrame For Beginners sees Mother Goose meet Marx and Engels Macrame For Beginners caused controversy when Conneally managed to install the video without...
View ArticleNo Purpose No Design
Images from and of Paul Conneally as he goes about his everyday splacist / psychogeography expolorations of the world with no purpose no design. Permalink | Leave a comment »
View ArticleWhere The Bee Sucks - Paul Conneally 2006 - Invigilator Archive Post
Where The Bee Sucks - Paul Conneally 2006 Video installation by artist Paul Conneally first shown during Liverpool Biennial 2006 as part of the RedSkyAtNight show. Explores issues of war and...
View ArticleINVIGILATOR at PKN Coventry Global Cities Week 2012
Video of Paul Conneally talking about INVIGILATOR : DERBY at PKN Coventry in Global Cities week 2012. The notion of City as gallery. Permalink | Leave a comment »
View ArticleSurveillance
Surveillance - Paul ConneallyINVIGILATOR : DIGBETH Conneally & Pugh 2008Splacism / Psychogeography in action Permalink | Leave a comment »
View ArticleRomantic Poetry and the National Curriculum for English - Snibston Discovery...
The inclusion by direct reference of Romantic peotry in Michael Gove's new National Curriculum for English is to be welcomed. Some teachers feel the works of the romantics are not relevant for the...
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